The paintings were made on tablets, plywoodon a stretcher, and soil. The rigid base resembled gesso, and the drawing process was the recitation of "Our Father". Now I'm making garages out of metal rod sand painting the kettle over and over again, just a different one. Well, there's also a ladleand a saucepan. Monotony and monotony are equatedto "Lord, have mercy, Lord, forgive".

So what do I believe in? Ibelievein the subject, I believe in materiality, I believe in composition, inbalance. Multiple images of a white enameled tea potcan be considered I prayand, assuming the territory of the galleryas a placefor the exhibition, I mentally feel there is a monastery — chapel, in which the iconostasis is located. The concepts of "temple" and "museum" have been reversed for me since childhood, and may be even in nately. For Acorn, a museum is a temple, and a temple is a museum.

Anya Zholud, 2021